Humph! Disc 2 doesn’t seem to be working anymore. That means the transcripts for the arcana in 2.4 and 2.5 will have to wait. The good news is that 2.9 is done.
Humph! Disc 2 doesn’t seem to be working anymore. That means the transcripts for the arcana in 2.4 and 2.5 will have to wait. The good news is that 2.9 is done.
Enjoy!
There’s also a new button at the top of the page to link directly to the transcript. Arcana isn’t very descriptive, but it was the shortest title I could come up with.
Episodes 2.2 and 2.7 have been posted. Scroll down past 2.1 and 2.6 respectively to find them.
Thanks, Serena!
With the assistance of Serena, episodes 2.1 and 2.6 have been posted tonight.
There aren’t too many nannies who are familiar with the adages of Erasmus, but Andy Bellefleur’s was. He said so in season two when he was trapped with Sam in the refrigerator at Merlotte’s. Quoting ‘Annie the Nanny,’ he opined, ”In the kingdom of the blind, the one eyed man is king.” While I believe the saying foreshadows future plot developments, the way it is juxtaposed in Andy’s conversation is significant. In short order, Andy speaks of Annie the Nanny and Nancy Levoir. The purpose of the consonance and assonance in the repeated ‘an’ and ‘y’ sounds in all these words is to call attention to them and link them. They are variations of the same name, the Biblical Hannah, which means ‘God has favored (or graced) me.’ They allude to another True Blood character who is also named after the Hebrew Hannah, one of the few female prophets in the Old Testament. That is Nan Flanagan. Note the ‘an’ repetition, not only in her given name, which you might expect with etymologically similar names, but also sustained in her surname, Flanagan. What Andy did by linking all these ‘an’ words to Erasmus’s adage was identify Nan Flanagan as the ancient Greek prophet and vampire judge, the Ancient Pythoness.
Erasmus wrote a whole book of adages, but the one Andy quoted, “In the kingdom of the blind, the one eyed man is king,” alludes to another prophet, the Norse god, Odin, who gave up one of his eyes so that he could see the future.*
The modern connotation of prophet is someone who has received divine knowledge of the future, but traditionally the meaning is not limited to telling the future. It means someone chosen to speak for god; in other words, a prophet is a spokesperson representing the supernatural. It is also an accurate description of what Nan Flanagan does. In fact, ‘oracle,’ a synonym for ‘prophet,’ is from the Latin orare, which doesn’t mean to tell the future, but to plead a case as a lawyer would in front of a court or a spokesperson would at a press conference. Thus the Pythoness is transformed from being the spokesperson of the god Apollo to the spokesperson for the Anti-Vampire League, pleading the case for equal rights to the American public. In both her role in Ancient Greece and her role in the vampire world, the Pythoness is the mouthpiece of the supernatural world to the natural one. (Maryann, as the intermediary between the townsfolk and her horned god, another prophet, and Sophie Anne will probably turn out to be one as well.)
Andy didn’t just pinpoint the identity of the Ancient Pythoness. He also linked her with Nancy Lavoir. They both share versions of the same first name, and even Lavoir’s alias, Ms. Jeanette, is derived from the name ‘John,’ which has the same meaning as all the ‘an’ names we’ve been looking at, “Favored by God.”
The name, ‘Nancy Lavoir,’ in addition to bringing to mind the famous New Orleans voodoo queen, Marie Laveau is especially interesting. Lavoir is a French name and could be translated as ‘the seer,’ identifying Ms. Jeanette with supernatural insight. However, Ms. Jeanette didn’t really have any insight into the supernatural world. She was a fraud, and that is exactly what the name ‘Lavoir’ suggests because if it is translated as ‘the seer,’ it is done so erroneously. The correct translation of Lavoir is something even prosaic than a pharmacy clerk; it is a wash house.
So why is the fraudulent Ms. Jeanette linked with Nan Flanagan? Because in ancient Greece, oracles and seers were two sides of the same coin.
From wikipedia:
Oracles were thought to be portals through which the gods spoke to man. In this sense they were different from seers who interpreted signs sent by the gods through bird signs, animal entrails, and other various methods.
The Pythia, the oracle at Delphi, only gave prophecies the seventh day of each month… during the nine warmer months of the year; thus, Delphi was not the major source of divination for the ancient Greeks…As a result, seers were the main source of everyday divination.
The Delphic Oracle exerted considerable influence throughout Hellenic culture. Distinctively, this female was essentially the highest authority both civilly and religiously in male-dominated ancient Greece. She responded to the questions of citizens, foreigners, kings, and philosophers on issues of political impact, war, duty, crime, laws–even personal issues.
The same class distinction that was in play in ancient Greece with the Pythoness serving the elites and those wealthy enough to travel to see her while the common people sought guidance from seers is played out in True Blood with the elites and those who pride themselves on being well informed listening to Nan Flanagan on television and the dispossessed seeking help from Ms. Jeanette. The question is, are the elites any more intelligent for trusting Nan Flanagan than Lettie Mae and Tara were for trusting Ms. Jeanette? Are the words of the Ancient Pythoness any more true than Ms. Jeanette’s? Eric did warn not to listen to the pretty blond lady on tv.
Some fanciful speculation: There are so many names derived from ‘Hannah’ that I find it curious ’Nan’ was the one chosen for the Ancient Pythoness. Could this be to link her with Bill? After all, every nanny goat needs a billy goat. If so, both Christian and Norse mythology could be at work. Christian iconography connects goats with sin and Satan. In Norse mythology, Thor has a pair of black goats that he has a conflicted relationship with. They pull his chariot by day, and at night, he slaughters them and eats them. As long as he doesn’t break their bones, the goats regenerate and are ready to pull his chariot again next morning. Could Nan and Bill’s machinations be the vehicle that will ultimately lead Eric to the throne of Louisiana?
Update
Season 3 introduced another prophet with an ‘an’ name, Destiny Camilla Ann, who saw her future when she told Bill, “I know the truth about life. It’s a hell I’ll never get out of alive.” From Bill’s reaction it was clear that she was prophesying for him, too.
*MASpencer commenting at Sookieverse Blog first suggested that Andy’s quote was an allusion to Odin.
I don’t really have time to do this justice, but thought I could at least throw up some links and make a few connections.
(BTW, I’m loving the tin star on the wall behind Pam and her dress, which is suggestive of a deputy’s uniform.)
To get to the point, this is Thor, the Norse God of Thunder. Thursday is named after him.
One of his functions as a god is to protect those in danger, not unlike the job of a vampire sheriff.
He’s married to Sif, a beautiful fertility goddess with lovely golden tresses.
See that guy in the background sneaking over the wall? That’s Loki. He’s a lot like Bill. Loki is sneaking into Sif’s bedroom to steal all of her beautiful hair. Thor will force Loki replace it. Loki will give Sif new hair spun from pure gold and enchanted by dwarfs to grow just like her natural hair.
At Ragnarok, the Norse Apocalypse, it is said that Thor will kill his mortal enemy, Loki’s son, the great serpent, Jormungandr, but he will fall dead from Jormungandr’s venom. (Cross reference this post with ‘Sookie’s Sojourn,’ and keep your fingers crossed that AB doesn’t intend Eric to die the same way.)
So that’s Thor’s story.
Now back to this:
Thor’s day may be Ladies’ Night, but that not Thor. It is an image a berserker.
Berserkers were Norse warriors who fought with an uncontrollable fury.
As a distinguishing feature, they wore wolf pelts in battle.
Some psychologists believe that berserker rage may have been associated with “the hyperarousal of post-traumatic stress disorder” leading to an “emotional deadness and vulnerability to explosive rage.”
More from Wikipedia:
The earliest surviving reference to the term “berserker” is in Haraldskvæði, a skaldic poem composed by Thórbiörn Hornklofi in the late Ninth Century in honour of King Harald Fairhair, as Ulfheðnar (“men clad in wolf skins”). Snorri Sturluson gives the following description of berserkers in Ynglinga saga:
King Harald Fairhair’s use of berserker “shock troops” broadened his sphere of influence. Other Scandinavian kings used berserkers as part of their army of hirdmen and sometimes ranked them as equivalent to a royal bodyguard.
This is fascinating for several reasons.
1. Harald Fairhair was the father of Eric Bloodaxe , the Norse king who ruled Northumbria, the ancestral home of the Stackhouses. I previously identified him as the likely historical inspiration for Eric.
2. Harald Fairhair is identified with Ulfheðnar, men in wolfskins, which would be berserkers.
3. Ulfric, the name of Eric’s father, means either Wolf Ruler, or Power of the Wolf, so it looks like Ball is going to stay true to the historical record and make Eric’s father the ruler of a berserker gang. And he’s going to make them werewolves. So…is Ulfric going to be portayed as a werewolf packleader or as a king with a werewolf army? Was Eric a werewolf in his human life or did he just fight like one?
Taking all the S3 spoilers in to consideration, I think the reseason Eric is seeking revenge this season must be that Russell murdered Ulfric, usurped his throne, and convinced or forced the berserker gang to swear allegiance to him in exchange for V.
One of the goals of The Ancient Pythoness is to explore Sookie’s extensive library, the literature that the plots and themes that the Sookieverse is based on. Last year I explained how Maryann was much more than a maenad. She was also a were-hoopoe bird, and her story line was a mashup of the origin myth of Dionysus and The Greek comedy by Aristophanes, The Birds. So the question is, what inspired Alan Ball to transform Callisto, the maenad in Living Dead in Dallas into Maryann, the beclawed were-hoopoe maenad in season two? While the theme of The Birds is Dionysian, linking the two is more than a strech. At least, that’s what I thought until a Sylvia Plath poem caught my attention.
Maenad
Once I was ordinary:
Sat by my father’s bean tree
Eating the fingers of wisdom.
The birds made milk.
When it thundered I hid under a flat stone.
The mother of mouths didn’t love me.
The old man shrank to a doll.
O I am too big to go backward:
Birdmilk is feathers,
The bean leaves are dumb as hands.
This month is fit for little.
The dead ripen in the grapeleaves.
A red tongue is among us.
Mother, keep out of my barnyard,
I am becoming another.
Dog-head, devourer:
Feed me the berries of dark.
The lids won’t shut. Time
Unwinds from the great umbilicus of the sun
Its endless glitter.
I must swallow it all.
Lady, who are these others in the moon’s vat —-
Sleepdrunk, their limbs at odds?
In this light the blood is black.
Tell me my name.
Not only does this poem link birds and maenads, it explains where the inspiration for other aspects of Maryann’s charcter and storyline came from. The figurative cannibalism that was traditional in the worship of Dionysus becomes literal in this poem with ‘eating the fingers’ and in True Blood with eating the hearts of Ms. Jeanette and Daphne.
The theme of transformation, in Plath, a coming of age reference, becomes the basis for Mariann’s were identity as a transformative creature, part woman and part bird. This poem is also the basis for Maryann’s black blood and with the line, “the dead ripen in the grapeleaves,” the meat tree.
The cynocephalic creature in the poem is a reference to Anubis, the Egyptian God of the Dead. For True Blood Ball turns this image into a one that is bull-headed, which alludes to the Greek myth of Pasiphae, the mother of the Minotaur whose bovine disguise was used to attract a mate. Plath goes on to link Anubis, The God of the Dead, with Ammit, The Devourer of Souls. Ball links the bull-headed Maryann with Daphne who, because of her special affinity with pigs, becomes The Devourer of Western myth and folklore, in the incarnation of the Caledonia Boar, charging around Merlotte’s wreaking havoc.
So, if Sylvia Plath’s poem, Maenad, was Ball’s inspiration for the maenad/bird mashup, what was Plath alluding to with avian imagery in her Dionysian poem of transformation? A line from The Birds, “I’ll make you a king and give you bird’s milk.”
Additionally I suspect that Alan Ball may be using Plath’s poem, The Moon and the Yew Tree, as inspiration for the upcoming Were Witch storyline, since Yvette, whose name means ‘Yew’ will probably turn out to be one or both of those creatures.
If Alan Ball is featuring a different Plath poem each season, any ideas which one inspired season one?
A great deal actually. With the name ‘Northman,’ Eric’s origin in the far north, and his entrepreneurial character, he shares in the northern legacy of hard work and industry that I wrote about in ‘It’s a North-South Thing.’
Consider how Fangtasia’s address reinforces this idea. What’s so special about 444 Industrial Drive? To begin with the number four is associated with order in the material world and practicality. Keeping order is the sheriff’s job, and Eric is nothing if not practical. In the Hebrew Gematria, 444 is associated with Lilith, Adam’s first wife and an early vampiric creature, the Tables of the Law, and Jesus.* It also represents activity, bandages, and holy places, which is is interesting for the allegorical reading of True Blood, since Eric is associated with healing and Fangtasia with a holy place. So in addition to the theme of industry, the number is also suggestive of Eric’s association with law enforcement, his allegorical identity as Jesus, and possibly even Sookie. In Sookie’s Sojourn I identified Sookie with Eve, but she could also be connected with Lilith.
The name Lilith means ‘belonging to the night,’ but phonetically it is very close to ‘Lily.’ I’ll admit this one is a stretch, but the name ‘Sookie’ is a nickname for Susan which is derived from the Hebrew Susanna, or lily. Like True Blood the lily is a combination of both the sacred and profane. Its Christian association with innocence and Jesus is widely know, but its earlier pagan association was phallic and connected with Aphrodite and Pan.
How the street name, ‘Industrial Drive,’ relates to Eric is obvious, but notice that it is a drive, not a road or avenue. Activity and work is suggested in both words.
The city Eric chose for the base his operations holds significance, too. The name Shreveport means the port of the sheriff. What other city could bring together Eric’s two positions as capitalist and sheriff so perfectly?
A question for Bookies: Sookie lives on Hummingbird Lane, a beautiful, delicate, industrious little bird. Has CH told us the name of the street Merlotte’s is on?
*Many thanks to Gigi for correcting Eric’s address and the Gematria info.
Today Dwimordene asked in which episode I had seen The Last Supper on black velvet that I mentioned in Sookie’s Sojourn. I love it when y’all call me on what I write because it always forces me to dig deeper and I invariably find buried treasure. That’s not to say I’m always right, just that y’all force me to hone and refine my ideas.
So I went searching for the photo of the Fangtasia set that showed The Last Supper front and center. I couldn’t find it, but I did run across this one, which convinced me that I hadn’t been hallucinating. You can see the bottom half of the painting up and to the left of the beer taps.
In this picture I also noticed the bust of Christ centered on the shelf over the taps. That’s…odd. Then I noticed the six bottles to the left of Jesus. And the light canister and six bottles to the right. Hmm…twelve vessels filled with spirits flanking Jesus, the light of the world? Could this be a second, more abstract Last Supper? Notice how the negative space between the bust and the bottle to the left echoes the negative space in the original between Christ and the figure on his left, the beloved desciple.
Notice how the simple plate and meager offering that Ginger holds out to Sookie could have been lifted right from the table in the painting?
Anyhoo, I kept searching, and eventually I found a better image of the painting.
Even though Bill’s head is obscuring the central figure, this is closer to what I recall. We don’t have a complete view of the second Last Supper in this view, either, but what we do have is intriguing. In this image there is a mixture of both bottles and cans to the left of the bust, but the number remains six, matched no doubt by six more on the other side.
Unfortunately I am technologically inept, but it is worthwhile to follow this link and click on the image to view it in high resolution. After you have taken in the full horror of the Last Supper on black velvet with colored twinkle lights, look at the V logo on the bottle of blood next to the bust. It too suggests the V shaped negative space between Jesus and John in Da Vinci’s original.
If you are a Dan Brown aficionado, which I am not, this bottled and canned Last Supper becomes even more suggestive. Brown popularized the idea that Leonardo secretly painted Mary Magdalen into the Last Supper where the apostle John should be. Frankly this is a load of caca because this is exactly how John was traditionally depicted, as an effeminate young man with long hair, but notice the connections between the Magdalen and Sookie. She was linked with Mary Magdalen when she washed Eric’s feet in DTTW. Brown claims that Mary Magdalen was a vessel for the holy blood of Jesus because she carried his child in her womb, and Sookie carries Eric’s healing blood in her veins. There is also a bit of green hanging directly over this bottle, and in the Sookieverse green is the color of life.
Reader Trixie alerted me that the image I was looking for could be found in the On the Set video that was released yesterday. Eric isn’t the only thing that got a makeover for the new season. Compare the bar below to the one form previous seasons. Fangtasia has gone upscale.
Gone are the two Last Suppers. They have been integrated and improved. The painting has been replaced by a more tasteful one, and it is centered over the bar where the bottled and canned Last Supper had been previously.
Now it corresponds directly with the snake that is mounted in the same spot over the bar at Merlotte’s making the same point that the s3 cast poster does.
In Christian mythology, Paradise was lost because of the Fall of the Virgin to the seduction of the Snake in the Garden. The only way it can be regained is through the Elixir of Life, the blood of Christ. In the allegory at the core of True Blood, Sam represents the first Adam, the one who lost Eve to the seductive powers of that deceitful and destructive snake, Bill. Eric is the second Adam, the Christ, whose blood will triumph over the snake and heal all wounds.
The setting of the cast poster for s3 is readily identifiable as after the Falll. What is not so apparent are the allusions to Da Vinci’s Last Supper, but they are there.* If fact, the poster is a representation of DaVinci’s masterpiece. Compare the composition of the poster to the original. The fallen tree trunk represents the table, which is symbolic of an altar. Eric is center in the composition and, like Jesus, has his arms outstretched. Sookie is in the place of the beloved disciple, and her reclining position provides the same V shaped negative space between her and Eric that I mentioned earlier. Like Judas, Bill is the only character to rest his arm unmannerly on the altar. The position of other cast members corresponds to the Last Supper.
Happily, it is now clear that AB intends to make the Christian symbolism overt this season, and I won’t have to suffer any more intelligent people telling me I’m nuts to equate Eric with Christ. This is going to be a great season!
*Gigi and all the contributors at Sookieverse blog identified the similarities of the cast poster to The Last Supper.
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