Updated 9/28/10
Hold on! What does alchemy have to do with True Blood?
So why would Alan Ball give True Blood an alchemical structure?
The Alchemy of Dead Until Dark
Charlaine’s Alchemical Magnus Opus
Ok, so if it’s something from the novels, what are these wheels you’re talking about?
The First is the Great Wheel
This is the overarching single alchemical wheel that encompasses the entire series, and it applies to both the show and the novels. The wheel goes from black to white to red. When this cycle is complete the series will be over and Sookie will have reached a state of spiritual perfection. Lead will have been turned into gold, and Sookie will be immortal.
The first three installments of the series start the alchemical process with the negredo or black phase. This is a chaotic time when Bill destroys the old Sookie by breaking her down emotionally and psychologically. This is the reason Bill is so closely associated with death, earth tones, decomposition, and violence. This process ended during the third installment of the series. After nearly killing her and betraying her, he has done his worst.
Next comes the white phase, which is characterized by healing, purification, and spiritualization. In the fourth installment of the series Eric takes over the alchemical process, which is why Dead to the World is such a fan favorite. The albedo stage is the time for order, enlightenment, and personal development. In the albedo stage, without her even knowing it, Eric becomes Sookie’s healer and mentor in addition to becoming her lover. Dead to the World begins with the albedo stage in page after page of cleaning, washing, and light in the darkness imagery. In season 4 there is no doubt that Sookie’s house will finally be cleaned and restored and that Sookie and Eric will have their iconic shower scene. This phase occurs after the holidays when the days are getting longer symbolizing Sookie’s enlightenment. Since True Blood hasn’t made it to the albedo phase yet, I can only speak of the novels from this point. Novels 4-9 follow the albedo pattern; they start with the white phase and end with the black. Sookie recieves a great deal of criticism for her lack of development over the course of these novels. That is because most of the white work takes place beneath the surface and is only revealed in the rubedo stage, which is exactly what we saw with novel number 10, Dead in the Family. Finally, there was a glimpse of a Sookie worthy of being Eric’s mate. This novel broke the albedo pattern by beginning with the rubedo stage and ending with the white, something we can expect to continue to the end of the series.
Second is the Triennial Wheel
Alchemy has been described as wheels within wheels because there is a whole clockwork going on under the surface. In True Blood one of those wheels completes a cycle every two and a half seasons. For lack of a better term, I’ve rounded up and called it the triennial wheel. This is the work that clearly shows where the whole process is leading and that Sookie’s ultimate lesson will one of sacrificial love. It always involves a burned vampire and a sacrifice, and Sookie is always there to witness it.
Cycle 1
Negredo
Season 1 Bill meets the sun in a faux sacrifice. He knew Sookie’s blood would prevent him from dying and conveniently an open grave is nearby for him to regenerate in. Bill’s earth tone wardrobe and the black smoldering ashes that cover him identify this phase.

Albedo
Season 2 Godric meets the sun while Sookie looks on. Godric is ready to die, but his death serves no higher purpose and is not salvific, even though he had hoped that it would the catalyst to bring humans and vampires together. Godric’s white wardrobe and the white hot flames that consume him link him with the albedo stage.

Rubedo
Season 3, as predicted, Lorena catches fire and later allows Sookie to stake her so that Bill might live. Lorena’s death is more noble than Godric’s because she willingly gives up her life for another, in fact, the very vampire who hates her and wishes her dead.
Russell will not let her live if she fails to kill Bill. She knows it’s a case of his life or her life, and she chooses her child over her self. Lorena’s red wardrobe season 2 and the red hot flames that burn her foreshadow that her death will be sacrificial. This is the goal of the alchemical process, but it does not culminate here.
Lorena’s was not a perfect sacrifice because she was far from being spiritually perfected. Consequently the cycle starts over again.
Cycle 2
Negredo
At the end of season 3 Russell meets the sun. Like Bill, he is unwilling and unworthy of a good death, so he smolders and burns to ashes until he is saved from the sun by Sookie. Eric also falls into this category since his willingness to die was based solely on Russell Edgington’s eternal punishment.
Albedo
Season 4 a vampire who is fond of wearing white will meet the sun for selfish reasons. This will most likely be Sophie Anne who gives up on life when she realizes that Sookie’s blood will not make her a daywalker. She will decide to feel the sun on her face one last time. Sookie and Hadley will watch her burn.
Third is the Annual Wheel
This wheel runs through the black, white, and red alchemical stages each season. It shows step by step how Sookie is being transformed from lead to gold.
Phase 1: Negredo
The black work is characterized by depression, powerlessness, chaos, and decomposition, which is a hot violent process. It’s a necessary stage, but nothing good or productive happens during this time. For those familiar with Harry Potter, the negredo stage in that series takes place during the miserable summers Harry spends with the Dursleys at the beginning of each novel. In True Blood its nadir is always preceded by a major conflict with Bill. It also includes some form of bondage * usually by Eric or one of his doppels. That’s because without the mercy of Christ, all are in enslaved.
Negredo Cycle 1, Season 1
The blacking process starts with Sookie’s encounter with the Rattrays and includes both Maudette and Bill in bondage.
After Gran is killed, Sookie is lost in the darkness. This is the nadir of the negredo phase, and it is preceded by Sookie telling Bill that she wants nothing more to do with him when they return from Fangtasia.
Negredo Cycle 2, Season 2
This cycle starts at the end of season 1 when Ms. Jeanette’s body is found in Andy Bellefleur’s car and Lafayette is kidnapped. He and Royce are held in bondage at Fangtasia.
Sookie’s lowest, most helpless point occurs when the bull-headed beast attacks her in the woods. It is preceded by Bill’s violent anger at her for taking Jessica home to see her family.
Negredo Cycle 3, Season 3
Again this stage starts at the end of the season with Sookie’s distress at Bill’s marriage proposal. It encompasses the first two nights after Bill’s kidnapping when Sookie doesn’t have any leads and can’t find anyone to take his disappearance seriously.
Yvetta and Bill are both in bondage in this period.
Negredo Cycle 4, Season 3
Eric has Russell bound; Bill and Sookie have their biggest falling out to date; and a lost Sookie runs for comfort to her granmother’s grave.
Since the overarching albedo cycle has begun, the albedo phase resets the plot. This is the run Sookie should have made s1 instead of taking the other fork in the path that leads to Bill’s house. Sookie is getting a do over. The albedo phase will be Sookie’s opportunity to do things right with Eric.
Notice how the negredo period gets shorter with each cycle. Season 1 it lasted for 6 complete episodes. Season 2 it was over halfway through episode 3. Season 3 it ended before the first episode, and there will not even be a negredo phase at the beginning of season 4. It already happened at the end of season 3.
Phase 2: Albedo
This is the stage of personal growth. It is positive and productive, but it also may be difficult at times to outwardly discern much difference from the negredo. In the Harry Potter novels, the white stage is the school year.
The catalyst for the white stage is the chemical mercury, symbolically it represents the spirit of God. Eric’s sun sign and his personality traits are tied to this chemical because, as the Christ figure, he functions in the series the same way mercury does in the chemical process. In True Blood, the white stage begins and ends with an encounter with Eric. When the albedo phase is complete, Sookie appears in white and a symbolic sacrament is conferred upon her.
Albedo Cycle 1, Season 1
After Gran’s death when Jason is at Fangtasia, Eric texts Bill about arranging another meeting with Sookie. When this fails, he goes to Bill’s house. This is a depiction of God seeking out the lost even before they know to go to him. The albedo stage is complete when Sookie wears white to her second visit to Fangtasia. She is ready to be baptized. This stage lasts from the time Sookie sees the wet ashes from the house fire to Sookie’s second encounter with Eric. (Fire doused with water symbolize the end of the negredo phase.)
Albedo Cycle 2, Season 2
After Maryann attacks Sookie, Eric arranges for her healing through Dr. Ludwig. This meeting begins the white stage, and it is complete when Sookie and Eric come together again in Godric’s house after she has proven herself and earned a new white garment to put on. She is ready for her first communion.
Albedo Cycle 3, Season 3
The white work starts in this cycle when Eric’s emissary, Pam, gives Sookie a lead in her search for Bill. Because Pam reveals that a maker can call his child, Sookie and Jessica are able to locate Bill’s car. Sookie and Eric’s two meetings at Fangtasia bookend the albedo stage in season 3. For saving Bill and nearly killing herself in the process, Sookie earns the white dress she gets when she visits the fairies. The sacrament of anointing of the sick, which is done with healing oil, is conducted when Sookie travels from her hospital bed to the Bon Temps cemetery in a near death experience and drinks the healing water Claudine gives her.
Albedo Cycle 4, Season 4
If True Blood is using the same pattern as the novels, in a departure from previous cylces, season 4 will open with the albedo stage instead of the negredo. The sacrament of confirmation will probably be symbolized by Sookie and Eric making love for the first time.
Note: On two other occasions Sookie has worn white. The first was season 1 when she gave her virginity to Bill in order to reestablish their relationship. This was a faux confirmation. The grace bestowing sacremental one will take place season 4 when Eric and Sookie make love. The second time was in season 2 when Maryann forced Sookie to wear a white bridesmaid gown and lick a bloody egg in a false communion.
Phase 3: Rubedo
After the whitening sage comes the reddening. This stage is about sacrifice and ultimate triumph. It begins with a spiritual death and rebirth. In literature the rebirth is always marked by a symbol of Christ. This scene is usually set underground or in a cemetery. In Club Dead, the white Lincoln became a spiritual tomb for Sookie. In Harry Potter, in the rubedo phase, others sacrifice themselves to save Harry and he subsequently sacrifices himself. In True Blood, the type and quality of the sacrifice depends on who is making it.
Rubedo Cycle 1, Season 1
The rubedo phase begins when Sookie’s white dress is stained red with Long Shadow’s blood. This is Sookie’s baptism by blood.
Sookie experiences a symbolic death and rebirth when she is pulled from an open grave, ironically, by the man who is trying to kill her. (This provides a nice parallel to how Bill functions in the series since it is Bill, Death personified, who causes Sookie’s ultimate salvation.) The necessary Christ symbol is the Virgin Mary statue that René will bludgeon Sam with.
Bill has sacrificed another’s life for Sookie’s by killing Long Shadow at Fangtasia. Back home she emulates Bill and take a life in order to save one. Needless to say, this is a less than ideal sacrifice.
Because Sam sacrifices himself to save Sookie, she is able to repay the favor and save Sam when René knocks him unconscious. Sam is the one who knows how to save Bill, so by saving Sam, Sookie also saved Bill.
Rubedo Cycle 2, Season 2
The reddening stage begins when Steve locks Sookie underground in the church basement, which he claims is his father’s tomb. She is spiritually reborn when Godric saves her and Eric leads her upstairs back to the world of the living. The Christmas nativity decorations provide the Christologic symbolism.
When Luke bombs Godric’s house, once again Sookie’s white dress is stained red, but this time it is with Eric’s blood. He has sacrificed himself to keep Sookie alive. Note how Bill sacrifices others, but Eric sacrifices himself. This is the modus operandi for both vampires throughout the series.
Godric saves Sookie from being raped and killed by Gabe, which allows Sookie to turn around and save Eric on the FOTS alter and bring Godric comfort in his final moments. When Sookie returns to Bon Temps, she replays what she learned about how to distract the religious nutjob intent on destruction to save Sam from Maryann’s attempt to bring forth her horned god using Sam’s heart. He in turn is able to save the whole town.
Sookie experiences the sacrament of the Eucharist when she consumes Eric’s blood. This sacrament was heightened in the novels because Eric asked Sookie to suck the bullets out of his chest in return for saving her life. Eucharist means ‘thanksgiving,’ so by doing as Eric requested, Sookie was in effect thanking him.
Rubedo Cycle 3, Season 3
Sookie’s spiritual death occurs in the basement of Fangtasia and her rebirth is at the hands of Yvetta who frees her. Gone are Yvetta’s chokers that represent her willing enslavement to Eric, The Law. Now that she realizes she cannot count on him to provide for her financial security, she intends to steal what she can get from the cash registers. She knows that the law will condemn her and counts on the mercy of the cross to save her.
The red walls of Fangtasia provide the color for this phase. Sookie will give her own blood in this cycle instead of taking Long Shadows or Eric’s.
Sookie applies what she learned in Jackson about saving and healing wounded vampires to Eric.
To be continued next season…
*WaitingForSunday identified bondage as a key aspect of the negredo stage of each annual cycle.
**Screencaps courtesy of Shadow of Reflection and HBO

























Thank you Renee for this post. I have to admit that I couldn’t line up the process. I appreciate the HP references, they gave me clarifiaction. Thi post brings me hope for S4.
Your welcome, Osterby! Putting this together helped get it straight in my mind. I didn’t realize the key points lined up so well with each cycle.
The overarching cycle for Harry Potter operates differently than the one in TB. The negredo is finished with the death of Serius Black and the albedo is finished with the death of Albus Dumbledore. Needless to say, there were a lot of people who were worried about Rubeus Hagrid before the final novel come out.
Wow, I admire all the work you put into this. It really helps me to get a handle on this fascinating literary process.
Thankyou Renee. This helps me understand a little bit better. Not perfectly by a long shot, but that’s because the process is not in my frame of reference. As part of the unwashed masses, at least I understand your explanations. The wheels within wheels are tricky.
Same here – I really love the cyclical aspects of it all. Thank you! I know nothing about Harry Potter and really nothing at all about alchemy, so this was really enlightening, but a lot to wrap my head around!
I do appreciate the end results of each character’s actions ushering in the next phase. If just one of those actions had taken place differently, the whole plan would have fallen out of whack it seems…a Butterfly Effect of sorts.
Exactly like the butterfly effect! Literary alchemy is so esoteric that it’s hard to get a grasp of. I’ve been going on about it for a while, so I didn’t bother with the usual cursory explanation. Basically, alchemists tried to turn lead into gold through this blackening, whitening, and reddening process.
They also believed that it spiritually purified the alchemist, so in addition to producing gold, it also rendered the alchemist immortal. Writers have adopted the process and the symbols associated with it to show transformation in their characters. Before Harry Potter, Romeo and Juliet was probably the most famous example. The alchemy is why the play ends with a gold statue of the lovers and reconciliation between the two warring houses.
I’m glad people are finding this post useful. This time last year, the use of alchemy in the show was just a crazy hunch and I took A LOT of heat for it. Now that we have cycled through another season, it’s incontrovertible IMO.
Before I elaborate with my personal thoughts, I want to point out that Sookie also was wearing white at Lou Pines the first time.
Good point. At least Sookie’s top was white. Was she trying to appear innocent?
Maybe if she was half white, she was in some kind of transitional phase at that time.
I don’t know why she would have conciously tried to appear innocent the first time she went to Lou Pines (unless she thinks she is most attractive when she appears that way or figured someone would be more likely to take the bait, they did, but not in the right way)…but she was acting pretty stupid that first time, more than usual for sure.
Let me just say this was a brilliant post, really and truly. I loved reading every line and the layout/visuals that went along with what you were saying really hit the points for me. I especially loved the way taking Eric’s blood was symbolic of taking communion, just excellent (and this is backed up by the stained white coat you pointed out). This theory (as you pointed out) gives me a lot of hope for the symbolism involving Eric next season (*wink wink*).
I don’t know how AB uses so much and says so much under the veneer of a fluffy soap opera, although I want to be a writer and I certainly use a lot of symbolism in my writing (conciously and unconciously).
I’m not sure how s4 will play out exactly, but it should be sweet for Eric lovers!
AB is the master.
Great post Renee. I’ve been trying to get a better handle on this ever since you mentioned it in Anna’s previous post. Thanks for the visuals.
Also, was the term “true death” used in the books? If it is, is it used as much as it is in TB?
Glad you found this useful.
‘Final death’ is the term I remember from the novels. I don’t think it was bandied about much.
Remember MaudETTE, LafayETTE, and YvETTA? WaitngForSunday realized that they were in bondage at the beginning of each cycle. Russell was in bondage at the beginning of the fourth cycle. I wonder if Eric will have an -el, -elle, or -ill tied up at the end of s4.
Great post, Renee! …..Seeing the pics of Sook running to the graveyard reminded me of the mysteries of the Bon Temps Cemetary. Alot of important things happen there or the cemetary is passed thru on the way to something important. My question is why? The fairies play there, the crystal ship seems to come down there, Bill tried to glamour Sookie there (and kissed her after stepping out of the gates), Renee was killed there, Bill and Sookie had sex on the dirt there, Sookie runs thru the cemetary to give Bill her virginity, Sookie tells off the town people at Gran’s funeral, Sookie and Tara reunite and bury the hatchet, and more. Seems like in book 9, didn’t someone say that Sookie comes to believe the cemetary is actually some kind of portal to another world/dimension? I’ve not yet read book 9 so I don’t know.
Great point about the importance of the cemetary. There’s a mysterious stone carving behind Claudine in the finale. I think BobsGran called it a fae mile marker. LOL!
I think the forked path in/to the cemetary is significant. One fork seems to go to Gran’s grave and the other to Bill’s house. In the novels the fairies were at the bottom of the garden right?
I’m not good with the alchemy but I was thinking that the first episode Bad Blood 3.1 might somehow point to this because Eric’s face and hair look very light in shading compared to other scenes and seasons, but to me strangest is QSA, her face is totally grey and only her red hair and clothing stand out. This was done intentionally.
VERY good point regarding QSA in that episode.
I have no idea if the changing hair and makeup relates to the alchemy. I can’t find any rhyme or reason to it, but I am sure it has some significance. I think Bill is the key, but to what IDK. His brows go almost white at some points.
“Some characters get stuck in one phase for an extended period. Others seem to progress fairly quickly through the cycles. Very few of them have a chance of ever reaching a state of spiritual perfection, but they come closer with each completed cycle.”
There’s a great book called Many Lives, Many Masters that I read years ago about people doing just that! Reincarnation IS a Buddhist principle in part, (I believe – Anna, correct me if I’m wrong!), so the idea of being stuck in a particular life (or phase) because you still haven’t learned the lesson it was meant to teach you is fascinating to me. My only real experience with Buddhism is with the I-Ching, and there too – you end up getting the same advice repeatedly if you’re not willing to let go of ego and desire.
I LOVE your points about Lorena’s red/black/white & black process. I hadn’t thought of her final sacrifice in those terms at all, and it’s mind-blowing! Thinking more about her final ensemble, her ruffles brings to mind those old-fashioned puppets. That’s really all she was in the end – a marionette. Russell backed her into a corner, so she cut her own strings so that she would not have to perform.
Anyway, I’ve been thinking A LOT about alchemy the last few days, now…thank you so much for introducing me to these concepts, Renee!
I don’t either, but now I know why TB is up for an award on “color shading” for this episode.
AB wanted us to see that QSA was grey or lifeless for some reason in contrast to the other vampires.
i have a question regarding the character’s wearing “white”..
if Sookie earned her white dress in Faeland/ Faeportal when she met Claudine because she saved Bill & risked her life..
does that mean Bill earned his white clothing when he met Claudine as well?? what did Bill do to earn his white clothing in Fae portal?? i mean in s1 alone Bill saw the sun ( trying to “save” Sookie, & he staked LS.. in s2 Bill ran to QSA to get info on MA.. & in s3 he almost killed Sookie & declares war on older vamps.. & AB places him in Fae portal ( Bon Temps Cemetary) wearing white clothing..
so i’m a little confused is all :
if Sookie wearing white when she met Claudine meaning she earned it because she risked her own life to save someone she love couldnt the same thing be said about Bill??
plus we have folks like Steve Newlin , QSA , Lorena, Sarah Newlin, Isabel, MA & Godric all wearing white clothing at some point.. ( & Steve isnt a “good” really” .. i mean white i thought signified “purity” & “innocence”?? & AB dressed Bill in white clothing in s3 when he met Claudine very similar to the outfit that Godric died in in s2.. plus Bill walked on the rose pedals & water in that scene.. so was AB doing a fake Jesus stunt with Bill’s character?? yet all the Jesus referrence is at Fangtasia not Bon Temps..
i’m totaly confussed??
Very good theories, but will this be updated now that Season 4 has aired?
I have in mind the scene with Sookie wearing White after her first sex with Eric, and then she gets his blood on her white shirt when she lays with him in the basement..
also this season had vampires burning as well… but instead of black and charred or giant white bursts, Eric was veryyyy red and bloodied… hmmmm
I’ve read this many times before and enjoy it each time i re-read it.
i only have 1 question: RENEE-WHERE ARE YOU?
since i’m not the sharpest crayon in the box, i could use some help applying this to season 4…wishing renee was here to chime in. *sigh*